{"id":2558,"date":"2026-08-11T15:51:15","date_gmt":"2026-08-11T18:51:15","guid":{"rendered":"https:\/\/arnaldodiasbaptista.com.br\/english\/musica-singin-alone\/"},"modified":"2026-08-13T18:06:01","modified_gmt":"2026-08-13T21:06:01","slug":"musica-singin-alone","status":"publish","type":"page","link":"https:\/\/arnaldodiasbaptista.com.br\/english\/musica-singin-alone\/","title":{"rendered":"[M\u00daSICA] Singin’ Alone"},"content":{"rendered":"\t\t
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ARNALDO DIAS BAPTISTA<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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SINGIN\u2019 ALONE \u2013 ARNALDO \u2013 II \u00c1LBUM \u2013 (Baratos Afins, 1982) \u2013 <\/b><\/p>

Musical Producer<\/i>: Arnaldo Baptista<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Arnaldo Baptista<\/b>\u00a0talks about the album \u201cSingin\u2019 Alone\u201d (2013)<\/span><\/p>

When I recorded this album, Singin\u2019 Alone, I thought: what\u2019s missing in my career? Something that\u2019s capable of spanning all that I reach in the universe. So, I chose a kind of language, a certain spectrum, thoughts and entities\u2026 And everywhere I went , I tried to turn that into poetry. In other words, my personality is present in my day to day life, as part of the lyrics, as segments of my life during that time.<\/span><\/p>

Another aspect is that I play everything in this album: bass, keyboards, guitar\u2026sometimes I put in a harmonica, a pandeiro, a music box- one man band\u2026 In all the bands I\u2019ve been there has always been a discordant factor for me: the bass sound, would be too high; the badly tuned amp; a very egocentric person\u2026<\/span><\/p>

In this album, however, I tried to insert a personal side, not only in the lyrics and songs, but also in the instrumental and musical side, which is very important. I laid down what was expected: the unexpected. I mix Yes, which is a classic side, with lots of bass, with \u2018Caipira\u2019 music (the roots\/traditional Brazilian country music), which is a very rural, peculiar aspect of Brazil. Something that spans everyone\u2019s minds. I also have lots of songs in English, in order to reach that kind of mentality and philosophical thought.<\/span><\/p>

Sometimes we get lost in creativity and find the objective is not only one, never! Both work. I wanted to expose and show my musical and poetic creativity. That\u2019s why I added the English side to it.<\/span><\/p>

About the songs on Singin\u2019 Alone<\/span><\/p>

\u201c<\/span>Bomba H Sobre S\u00e3o Paulo<\/b>\u201d (H Bomb over S\u00e3o Paulo city) Is about what I did to reach this depth of lyric writing. I\u2019d walk up to the Serra da Cantareira, a long way and I was interested in flowers, people, cars that passed by and also my mind, overcome by entities, planets and distant galaxies. On that day I thought about how walking through the Cantareira we can see the city as a separate entity, an H bomb \u2013 something would happen. That\u2019s what I thought about.<\/span><\/p>

\u201c<\/span>Hoje de Manh\u00e3 Eu Acordei<\/b>\u201d (This Morning I Woke Up) is about another part of my personal life, the place where I slept: the bedroom, the walls, this was a thought that was not so much about roads, cars and galaxies. A thought that was more about sheets, company, thoughts about food, exercise etc. The passion I had at that moment worked sometimes: \u201cis it too good?\u201d<\/span><\/p>

\u201c<\/span>Jesus come back to earth<\/b>\u201d is yet another part of my life. I was in the apartment with my mother on Avenida Ang\u00e9lica, in S\u00e3o Paulo city, and I didn\u2019t feel open there, so I wrote this song.<\/span><\/p>

\u201c<\/span>Corta Jaca<\/b>\u201d (Cut jack fruit) has a rural side to it. Suzana Braga who is Portuguese descendant, did the \u2018caipira\u2019 voice \u2013 for her, it was hard to speak Brazilian Portuguese, to do the caipira accent (ah ah ah). It has a little to do with the interior of S\u00e3o Paulo city. My grandfather, coronel Or\u00e1cio was mayor of Avar\u00e9 so I tried to put this into music in the form of caipira and rock n\u2019 roll \u2013 I made this contrast stand out.<\/span><\/p>

There is an aspect between you and the instrument, which is translated to the piano, to the synthesizer\u2026In \u201cCowboy\u201d I recorded my personal side with the bass. So, I was able to make a song in which I explain everything I feel through the instrument\u2026 Jack Bruce.<\/span><\/p>

\u201c<\/span>Sitting on the road side<\/b>\u201d I hitchhiked to Catanduva\u2026400km from S\u00e3o Paulo\u2026I felt like a pilgrimage, like not being taken by anything except my exploration and see how much I could bear, resistance wise. Kind of hippy.<\/span><\/p>

\u201c<\/span>I fell in love one day<\/b>\u201d Like with \u201cCowboy\u201d this one is about the bass, piano and synthesizer. I managed a greater depth of lyrics with the piano here, because with the bass the music is heavier. So I talk about highways and motors. Here I deeply explore more philosophy, reasons to live\u2026<\/span><\/p>

The piano aspect gave me more freedom with regards to my emotions. I also talk about my searches, inspirations, research\u2026Thought about my mother, who played piano years ago. This part is for her: \u201ctake me to the best\u201d As if she could interfere in my music, through channeling\u2026My mother had a universe \u2013 hours and hours lying down, thinking about paradise. That\u2019s why she said \u201cI will not wait for your death\u201d. I was more emotionally free with the piano. On the guitar I am not as inspired to passion and heart as I am with the piano.<\/span><\/p>

There is this feminine presence in the lyrics\u2026the lyrical, poetic, romantic side, about this importance that women have in people\u2019s lives. It doesn\u2019t matter what you think or what you are, you only have one sex as a person. So, in order to give continuity to an important factor of evolution, which is DNA, you need the feminine aspect that completes it. In my poetry, the girl is important as muse, in a platonic way\u2026it lends to a colourfulness, a romanticism of sorts.<\/span><\/p>

\u201c<\/span>Ciborg<\/b>\u201d This is also a topic which propels me forward in life, as research, in this case human research, as in the cyborg. For example: for millions of years the human body uses in its ears, exponential numbers that have nothing to do with mathematics. Man discovered this number 50 years ago. Therefore, the human body is so much more evolved than our scientific reach! Ciborg is about us trying to make machines out of machines, which is what we are\u2026It is also about me riding my bicycle and thinking: if I were a cyborg I\u2019d have a lot more strength in my legs. \u201cIn vain, Ciborg!\u201d<\/span><\/p>

\u201c<\/span>Coming Through the Waves of Science<\/b>\u201d \u201cI don\u2019t know why I got so involved, when I could just be playing\u201d This is so deep! At times, deeper than I am. When we talk about the feminine, we think about a stereotype, which would be the goddess. So, there is also a magical side, stronger channeling, greater consciousness of everything\u2026Then I get into \u201cLet\u2019s Spend the Night Together\u201d.<\/span><\/p>

\u201c<\/span>Young Blood<\/b>\u201d I only had a piano at home during this period and I ended up making a garage band. The people were younger than me, perhaps 10 years younger, so I wrote this song, inspired by this new blood. Their enthusiasm was great\u2026\u201dLipstick kiss on you, model\u201d. Then the inspiration came from the Rodhia fashion shows. I would see the models pass by and dream-all of them new blood\u2026 As if you could say no to the system, \u201cyour heart on the new blood\u201d.<\/span><\/p>

\u201c<\/span>Train<\/b>\u201d This one\u2019s interesting. I planned on calling it Blues in the Cantareira, then I went to London and took a bus to Germany and in the station I called it Train. Every now and then I listen to Jack Bruce, Elton John\u2026talking about trains. \u201cIt was my choice to be here in the middle of the blues\u201d.<\/span><\/p>

\u201c<\/span>Balada do Louco<\/b>\u201d (Ballad of the Crazy) I went to Rita\u2019s brother in law\u2019s house, who had a piano and wrote the song inspired by the differences that exist between people. For example, there is always someone superior to you. To be honest, in that week I had been kicked by a girl in Karate, which made my feet bleed\u2026So, I thought, it was lack of support etc but it wasn\u2019t that: she was actually better than me\u2026I developed this concept further with entities which I thought were marvelous, like Alan Delon\u2026Then I showed it to Rita, who gave it subtlety and a poetic side also\u2026This new recording, from 1995 was surprising because I didn\u2019t expect it to be so beautiful. I didn\u2019t make any contribution to the musical side, but it came out beautifully. I loved it! Sounds like Elton John with an orchestra.<\/span><\/p>


<\/span>Translation by Rebecca Sharp<\/span><\/em><\/p>

1-<\/span>I Fell In Love One Day<\/span>
<\/span><\/a>2-<\/span>O Sol<\/span>
<\/span><\/a>3-<\/span>Bomba H Sobre S\u00e3o Paulo<\/span>
<\/span><\/a>4-<\/span>Hoje de Manh\u00e3 Eu Acordei<\/span>
<\/span><\/a>5-<\/span>Jesus Come Back To Earth<\/span>
<\/span><\/a>6-<\/span>The Cowboy<\/span>
<\/span><\/a>7-<\/span>Sitting On The Road Side<\/span>
<\/span><\/a>8-<\/span>Ciborg<\/span>
<\/span><\/a>9-<\/span>Corta Jaca<\/span>
<\/span><\/a>10-<\/span>Coming Through The Waves Of Science<\/span>
<\/span><\/a>11-<\/span>Young Blood<\/span>
<\/span><\/a>12-<\/span>Train<\/span><\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

ARNALDO DIAS BAPTISTA SINGIN\u2019 ALONE \u2013 ARNALDO \u2013 II \u00c1LBUM \u2013 (Baratos Afins, 1982) \u2013 Musical Producer: Arnaldo Baptista Arnaldo Baptista\u00a0talks about the album \u201cSingin\u2019 Alone\u201d (2013) When I recorded this album, Singin\u2019 Alone, I thought: what\u2019s missing in my career? Something that\u2019s capable of spanning all that I reach in the universe. So, I […]<\/p>\n","protected":false},"author":3,"featured_media":671,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-2558","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\n[M\u00daSICA] Singin' Alone -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/arnaldodiasbaptista.com.br\/english\/musica-singin-alone\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[M\u00daSICA] Singin' Alone -\" \/>\n<meta property=\"og:description\" content=\"ARNALDO DIAS BAPTISTA SINGIN\u2019 ALONE \u2013 ARNALDO \u2013 II \u00c1LBUM \u2013 (Baratos Afins, 1982) \u2013 Musical Producer: Arnaldo Baptista Arnaldo Baptista\u00a0talks about the album \u201cSingin\u2019 Alone\u201d (2013) When I recorded this album, Singin\u2019 Alone, I thought: what\u2019s missing in my career? Something that\u2019s capable of spanning all that I reach in the universe. 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