{"id":2563,"date":"2026-08-11T15:59:24","date_gmt":"2026-08-11T18:59:24","guid":{"rendered":"https:\/\/arnaldodiasbaptista.com.br\/english\/musica-mutantes-1969\/"},"modified":"2026-08-13T18:05:10","modified_gmt":"2026-08-13T21:05:10","slug":"musica-mutantes-1969","status":"publish","type":"page","link":"https:\/\/arnaldodiasbaptista.com.br\/english\/musica-mutantes-1969\/","title":{"rendered":"[M\u00daSICA] Mutantes (1969)"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"2563\" class=\"elementor elementor-2563\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-7ad6e59 elementor-section-full_width elementor-section-height-default elementor-section-height-default\" data-id=\"7ad6e59\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;gradient&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container 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src=\"https:\/\/arnaldodiasbaptista.com.br\/english\/wp-content\/uploads\/2021\/05\/assinatura-768x257.png\" class=\"attachment-medium_large size-medium_large wp-image-309\" alt=\"\" srcset=\"https:\/\/arnaldodiasbaptista.com.br\/english\/wp-content\/uploads\/2021\/05\/assinatura-768x257.png 768w, https:\/\/arnaldodiasbaptista.com.br\/english\/wp-content\/uploads\/2021\/05\/assinatura-300x101.png 300w, https:\/\/arnaldodiasbaptista.com.br\/english\/wp-content\/uploads\/2021\/05\/assinatura-1024x343.png 1024w, https:\/\/arnaldodiasbaptista.com.br\/english\/wp-content\/uploads\/2021\/05\/assinatura-1536x515.png 1536w, https:\/\/arnaldodiasbaptista.com.br\/english\/wp-content\/uploads\/2021\/05\/assinatura-2048x686.png 2048w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-92ff444 animated-slow elementor-invisible elementor-widget elementor-widget-heading\" data-id=\"92ff444\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeIn&quot;}\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h5 class=\"elementor-heading-title elementor-size-default\">ARNALDO DIAS BAPTISTA<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-2994247 elementor-section-height-min-height elementor-section-boxed elementor-section-height-default elementor-section-items-middle\" data-id=\"2994247\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-f2af6c0\" data-id=\"f2af6c0\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-35a7516 linear3 elementor-hidden-phone elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"35a7516\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-3e5d352\" data-id=\"3e5d352\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-a584c43 elementor-hidden-phone animated-slow elementor-invisible elementor-widget elementor-widget-text-editor\" data-id=\"a584c43\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInUp&quot;}\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b>MUTANTES (Polydor, 1969)<\/b><\/p><p><b><i>Musical Producer<\/i>: Manoel Barenbein<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-872fddd elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"872fddd\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-73fb001\" data-id=\"73fb001\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-672419c elementor-widget elementor-widget-text-editor\" data-id=\"672419c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span style=\"font-weight: 400;\">During the next year the Mutantes (now without the article \u2018Os\u2019 &#8211; The) launched the truly Mutants-tropicalist aesthetic. This is the most experimentalist album of their career. There are no limits. Everything is possible. Everything is functional in its strangeness. On the cover the trio is dressed as Don Quixote (Arnaldo), Sancho Pancha (Sergio) and the bride Dulcin\u00e9ia (Rita). They included a jingle recorded for Shell \u2018Algo Mais\u2019 (Something Else). They recorded their two big hits \u2018Fuga No 2\u2019 and \u2018Caminhante Noturno\u2019 (Fugue No 2 and Night Walker). They ranged from a version of \u2018Banho de Lua\u2019 (Moon Shower) originally recorded by popular singer Celly Campello to concrete poetry (\u2018Dom Quixote\u2019) with a little help of father Cesar Dias Baptista. There is also a magisterial dialogue with the Tom Ze\u2019s insided out version of Tropicalia in \u20182001\u2019 and \u2018Qualquer Bobagem\u2019 (Any Foolery). You can still find the i\u00ea-i\u00ea-i\u00ea \u2018N\u00e3o v\u00e1 se perder por a\u00ed\u2019 (Hei do not get lost!) and the psychedelic \u2018Dia 36\u2019 (Day 36) this last in partnership with hippie Johnny Dandurand. Last but not least, perhaps the first metaphoric Brazilian song talking about Rita Lee. This album brings even subliminally the collaboration of those who would become the 4th and 5th Mutantes \u2013 the drummer Dinho (Ronaldo Leme) and bassist Liminha (who is this record played viola). ( Marcelo Dolabela Oct\/Nov 1999.<\/span><\/p><p><span style=\"font-weight: 400;\">1-<\/span><a href=\"http:\/\/www.arnaldobaptista.com.br\/01-Dom%20Quixote.mp3\"><span style=\"font-weight: 400;\">Dom Quixote<\/span><span style=\"font-weight: 400;\"><br \/><\/span><\/a><span style=\"font-weight: 400;\">2-<\/span><a href=\"http:\/\/www.arnaldobaptista.com.br\/02-N%E3o%20V%E1%20Se%20Perder%20Por%20A%ED.mp3\"><span style=\"font-weight: 400;\">N\u00e3o V\u00e1 Se Perder Por A\u00ed<\/span><span style=\"font-weight: 400;\"><br \/><\/span><\/a><span style=\"font-weight: 400;\">3-<\/span><a href=\"http:\/\/www.arnaldobaptista.com.br\/03-Dia%2036.mp3\"><span style=\"font-weight: 400;\">Dia 36<\/span><span style=\"font-weight: 400;\"><br \/><\/span><\/a><span style=\"font-weight: 400;\">4-<\/span><a href=\"http:\/\/www.arnaldobaptista.com.br\/04-Dois%20Mil%20E%20Um.mp3\"><span style=\"font-weight: 400;\">2.001<\/span><span style=\"font-weight: 400;\"><br \/><\/span><\/a><span style=\"font-weight: 400;\">5-<\/span><a href=\"http:\/\/www.arnaldobaptista.com.br\/05-Algo%20Mais.mp3\"><span style=\"font-weight: 400;\">Algo Mais<\/span><span style=\"font-weight: 400;\"><br \/><\/span><\/a><span style=\"font-weight: 400;\">6-<\/span><a href=\"http:\/\/www.arnaldobaptista.com.br\/06-Fuga%20No%20II.mp3\"><span style=\"font-weight: 400;\">Fuga N\u00ba II Dos Mutantes<\/span><span style=\"font-weight: 400;\"><br \/><\/span><\/a><span style=\"font-weight: 400;\">7-<\/span><a href=\"http:\/\/www.arnaldobaptista.com.br\/07-Banho%20De%20Lua%20(Tintarella%20Di%20Luna).mp3\"><span style=\"font-weight: 400;\">Banho de Lua<\/span><span style=\"font-weight: 400;\"><br \/><\/span><\/a><span style=\"font-weight: 400;\">8-<\/span><a href=\"http:\/\/www.arnaldobaptista.com.br\/08-Rita%20Lee.mp3\"><span style=\"font-weight: 400;\">Ritta Lee<\/span><span style=\"font-weight: 400;\"><br \/><\/span><\/a><span style=\"font-weight: 400;\">9-<\/span><a href=\"http:\/\/www.arnaldobaptista.com.br\/09-M%E1gica.mp3\"><span style=\"font-weight: 400;\">M\u00e1gica<\/span><span style=\"font-weight: 400;\"><br \/><\/span><\/a><span style=\"font-weight: 400;\">10-<\/span><a href=\"http:\/\/www.arnaldobaptista.com.br\/10-Qualquer%20Bobagem.mp3\"><span style=\"font-weight: 400;\">Qualquer Bobagem<\/span><span style=\"font-weight: 400;\"><br \/><\/span><\/a><span style=\"font-weight: 400;\">11-<\/span><a href=\"http:\/\/www.arnaldobaptista.com.br\/11-Caminhante%20Noturno.mp3\"><span style=\"font-weight: 400;\">Caminhante Noturno<\/span><\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>ARNALDO DIAS BAPTISTA MUTANTES (Polydor, 1969) Musical Producer: Manoel Barenbein During the next year the Mutantes (now without the article \u2018Os\u2019 &#8211; The) launched the truly Mutants-tropicalist aesthetic. This is the most experimentalist album of their career. There are no limits. Everything is possible. Everything is functional in its strangeness. On the cover the trio [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":671,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-2563","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>[M\u00daSICA] Mutantes (1969) -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/arnaldodiasbaptista.com.br\/english\/musica-mutantes-1969\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[M\u00daSICA] Mutantes (1969) -\" \/>\n<meta property=\"og:description\" content=\"ARNALDO DIAS BAPTISTA MUTANTES (Polydor, 1969) Musical Producer: Manoel Barenbein During the next year the Mutantes (now without the article \u2018Os\u2019 &#8211; The) launched the truly Mutants-tropicalist aesthetic. 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