{"id":2568,"date":"2026-08-11T16:07:50","date_gmt":"2026-08-11T19:07:50","guid":{"rendered":"https:\/\/arnaldodiasbaptista.com.br\/english\/musica-tecnicolor\/"},"modified":"2026-08-13T18:06:27","modified_gmt":"2026-08-13T21:06:27","slug":"musica-tecnicolor","status":"publish","type":"page","link":"https:\/\/arnaldodiasbaptista.com.br\/english\/musica-tecnicolor\/","title":{"rendered":"[M\u00daSICA] Tecnicolor"},"content":{"rendered":"\t\t
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ARNALDO DIAS BAPTISTA<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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TECNICOLOR (Universal, recorded in 1970 and released in 1999) <\/b><\/p>

Musical Producer<\/i>: Carl Holmes<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u2018Tecnicolor\u2019, the pre-last trip of the Mutantes.<\/strong><\/p>

There are compilations and successful compilations. Most of the times, they are a pain. They follow the will \u2013 or bad will \u2013 of the record companies, which are almost always trying to fit the artist\u2019s work into a new trend. If being romantic pushes up the sales, the compilation shall highlight the melting side of the artist. Hardly the artist manages it themselves so the compilation is a masterpiece. Beatles, Madonna, Prince, Roberto Carlos, Marisa Monte, Paralamas do Sucesso are no exception to this rule. Particularly in Brazil, the contracts giving rights of use are still written as per in Stone Age. Although the artist can get some advantages, broadly speaking, the record companies win and the artists loose. This is common in the rock and pop industry, one of the most profitable fields. It hardly happens in literature, theatre, cinema and fine arts \u2013 the artist has always a grip on his\/her work, manages it more efficiently. Therefore, the artist\u2019s big revenge is when the compilations are presented as a conceptual work and not as a cheap puzzle to increase the record companies\u2019 profits. Without doubt Tecnicolor follows this conceptual format when recorded in 1970. It was, at the same time, a joke and one step ahead: a compilation and a carrier\u2019s album. Mutantes re-dressed songs already recorded in really new outfits, not only a new thread here or a new bottom there. The Mutantes alongside with their permanently revolutionary vision and in its third year of recordings, without fear or shame, re-visited and re-wrote the inners of their history.<\/span><\/p>

According to the Brazilian journalist Carlos Calado, author of the non-authorised but acclaimed Mutantes\u2019 biography, \u2018Tecnicolor\u2019 is a virtual title, probably named well after created. The album was recorded in November 1970 in Paris in the Des Dames Studio. It was produced by Carl Holmes. Following a concept of that time, one can say that Tecnicolor was a compilation of poems-processes: versions of masterpieces that turn into new masterpieces.<\/span><\/p>

Tecnicolor is a special anthology. It brings \u2018new\u2019 songs of the most recent albums, such as \u2018Jardim Eletrico\u2019(1970); \u2018Virginia\u2019, \u2018Tecnicolor\u2019, \u2018El Justiceiro\u2019, and \u2018Sarava\u2019 all mixed with old works. There you can find Tropicalist\u2019s hits such as two versions of \u2018Panis et Circences\u2019; \u2018Bat Macumba\u2019; \u2018She is my Shoo Shoo\u2019 (an English version for Jorge Ben\u2019s hottest hit \u2018Minha Menina\u2019) and \u2018Baby\u2019 (their mostly recorded song with 3 versions). Tecnicolor also houses classics such as \u2018I feel a little Spaced Out\u2019 (Ando Meio Desligado); \u2018Adeus Maria Ful\u00f4\u2019; \u2018I\u2019m Sorry, Babe\u2019 (Desculpe Babe); and a tribute to the host France offering a new version of \u2018Le Premier Bonheur Du Jour\u2019 from their first album.<\/span><\/p>

They translated all songs into English, except \u2018Bat Macumba\u2019, \u2018Adeus Maria Ful\u00f4\u2019 and of course the French song. \u2018She\u2019s my Shoo Shoo\u2019 got even closer of Jorge Ben\u2019s original. They kept only the chorus in Portuguese (Oba Oba she\u2019s my shoo shoo).<\/span><\/p>

Tecnicolor was launched only in 2000. It surprised the audience for sounding so modern. It surprised also because of Sean Ono Lennon\u2019s drawings and handwriting used for the album\u2019s design. The Brazilian critics did not see Sean\u2019s collaboration with good eyes. They said he was not the right person for the job. Bullshit. Brazilian prejudice only confirms Arnaldo Baptista\u2019s theory, our \u2018released astronaut\u2019 who every day is immortalised in the international rock-pop scenario. We hope the lesson will one day be learned: as Tom Jobim would put it: The Mutantes, as well as Brazil, are not for amateurs. (Marcelo Dolabela, Oct\/Nov 2005).<\/span><\/p>

1-<\/span>Panis Et Circenses<\/span>
<\/span><\/a>2-<\/span>Bat Macumba<\/span>
<\/span><\/a>3-<\/span>Virginia<\/span>
<\/span><\/a>4-<\/span>She\u2019s My Shoo Shoo ( A Minha Menina)<\/span>
<\/span><\/a>5-<\/span>I Feel A Little spaced Out (ando Meio Desligado)<\/span>
<\/span><\/a>6-<\/span>Baby<\/span>
<\/span><\/a>7-<\/span>Tecnicolor<\/span>
<\/span><\/a>8-<\/span>El Justiciero<\/span>
<\/span><\/a>9-<\/span>I\u2019m Sorry Baby (Desculpe Babe)<\/span>
<\/span><\/a>10-<\/span>Maria Ful\u00f4<\/span>
<\/span><\/a>11-<\/span>Le Premier Bonheur Du Jour<\/span>
<\/span><\/a>12-<\/span>Saravah<\/span>
<\/span><\/a>13-<\/span>Panis Et Circenses (reprise)<\/span><\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

ARNALDO DIAS BAPTISTA TECNICOLOR (Universal, recorded in 1970 and released in 1999) Musical Producer: Carl Holmes \u2018Tecnicolor\u2019, the pre-last trip of the Mutantes. There are compilations and successful compilations. Most of the times, they are a pain. They follow the will \u2013 or bad will \u2013 of the record companies, which are almost always trying […]<\/p>\n","protected":false},"author":3,"featured_media":671,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-2568","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\n[M\u00daSICA] Tecnicolor -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/arnaldodiasbaptista.com.br\/english\/musica-tecnicolor\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[M\u00daSICA] Tecnicolor -\" \/>\n<meta property=\"og:description\" content=\"ARNALDO DIAS BAPTISTA TECNICOLOR (Universal, recorded in 1970 and released in 1999) Musical Producer: Carl Holmes \u2018Tecnicolor\u2019, the pre-last trip of the Mutantes. 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