{"id":2741,"date":"2026-09-23T18:10:20","date_gmt":"2026-09-23T21:10:20","guid":{"rendered":"https:\/\/arnaldodiasbaptista.com.br\/english\/?p=2741"},"modified":"2026-09-23T18:26:23","modified_gmt":"2026-09-23T21:26:23","slug":"arnaldo-baptista-continues-to-influence-artists-and-the-7-8-project-proves-it","status":"publish","type":"post","link":"https:\/\/arnaldodiasbaptista.com.br\/english\/2026\/09\/23\/arnaldo-baptista-continues-to-influence-artists-and-the-7-8-project-proves-it\/","title":{"rendered":"Arnaldo Baptista continues to influence artists. And the 7.8 project proves it."},"content":{"rendered":"\t\t
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Arnaldo Baptista continues to influence artists. <\/p>\n\n

And the 7.8 project proves it.<\/p><\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Go to the end for links to listen to the songs and compilation albums.<\/strong><\/p>

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by Luiz Cesar Pimentel<\/em><\/strong><\/p>

There are tributes looking to the past. This one was born looking to the future.<\/p>

When we began shaping Arnaldo Baptista 7.8 \u2013 Can\u00e7\u00f5es Inesquec\u00edveis Revisitadas<\/strong> (Unforgettable Songs Revisited), we wanted to bring artists together to celebrate the 78th birthday of one of Brazilian music\u2019s most important composers. At some point along the way, what we already knew became clear: this project wouldn’t just be another collective album churned out to suit market trends. We were documenting a phenomenon that, until then, had existed in a scattered state\u2014spread across stages, studios, festivals, and conversations among musicians.<\/p>

After following Arnaldo for so many years\u2014as a journalist, researcher, and admirer of his work\u2014few things can still surprise me. This one did.<\/p>

Recordings began arriving from various places and in diverse styles. Then came others. Then a few more. Before we knew it, over 60 artists were simultaneously working within the same musical universe. “If we had issued a public invitation, close to 200 artists would have signed on,” predicted Sonia Rosa Maia<\/strong> during the filming of the project\u2019s audiovisual, which features an interview with Arnaldo and very special appearances by artists. She is the driving force behind the direction and coordination of Arnaldo Baptista 7.8<\/strong>, boldly facing the challenge of bringing this project\u2014which the system isn’t quite ready to embrace\u2014into a streaming market defined by rigid constraints.<\/p>

Watch the video <\/strong>HERE<\/strong><\/a><\/p>

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The Selection of Material<\/strong><\/p>

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There is a detail I consider crucial to fully grasping the scope of this project: every reinterpretation is dedicated exclusively to Arnaldo Baptista\u2019s solo work. There isn’t a single composition by the Mutantes in the mix. This was a deliberate decision from the very start. Arnaldo\u2019s solo career has always exerted a massive influence on musicians across generations, yet its true magnitude had never been fully recognized. The time had come to shine a light specifically on this aspect of his journey.<\/p>

Nor was there a record label driving the process, a huge marketing budget, or contracts compelling artists to participate. The movement was fueled by the hardest thing to manufacture: genuine desire. Musicians wanted to record Arnaldo\u2019s music because they recognized him as a fundamental creative touchstone in their own artistic development. I struggle to recall another instance quite like it.<\/p>

I know of no other Brazilian project\u2014and, frankly, I cannot recall an international one\u2014that brings together over 60 artists to simultaneously release 56 new singles inspired by the work of a single composer. We are not talking about guest appearances on a collective album or a standard compilation. Each artist chose a song, crafted their own interpretation, and released it as a single, all while preserving their own artistic identity. The common thread connecting them all remains Arnaldo. That speaks volumes\u2014not so much about the project itself, but about Arnaldo.<\/p>

For decades, we have been used to defining Arnaldo Baptista as the founder of the Mutantes, a pioneer of Brazilian rock, a central figure of Tropic\u00e1lia\u2014according to maestro Rog\u00e9rio Duprat\u2014or a cult artist. All of this remains true. It simply is no longer enough.<\/p>

Arnaldo goes on happening. And that is his most extraordinary quality.<\/p>

Many of the people who attended his solo concerts between 2011 and 2018, and who today follow his exhibitions or discuss his work on social media, were not even born when Arnaldo recorded the albums that became landmarks in the history of Brazilian music. Many are just over twenty years old. They discovered Arnaldo by listening \u2014 from the cradle \u2014 to the music their parents played, or through recommendations from friends, or works circulating online. They did not come out of nostalgia. They came because they found a creative freedom that still resonates today.<\/p>

I realized this a long time ago! In interviews, at festivals, backstage at concerts, and during research for my books, Arnaldo\u2019s name kept coming up whenever I asked musicians which artists had changed the way they thought about music. That answer surfaced among rock bands, experimental artists, MPB composers, electronic music producers, figures from the indie scene, and also visual artists.<\/p>

The Arnaldo Baptista 7.8 <\/strong>project simply made visible something that has been happening for decades. You need only listen to the recordings. None of them attempts to replicate Arnaldo. To me, that is one of the artists\u2019 greatest qualities.<\/p>

They immersed deeply in the song, grasped its logic. And instead of imitating it, did exactly what they had learned from it: they created something new.<\/p>

The versions end up revealing just as much about the performers as they do about the artist who inspired the interpretations.<\/p>

At many moments, I felt that Arnaldo appeared precisely where the resemblance stopped.<\/p>

Marcelo Furtado<\/strong>, from Pedra Rel\u00f3gio<\/strong>, summed this up very well when he told us that he spent days hanging out with \u201cVou Me Afundar na Lingerie\u201d<\/strong> (I’m Going to Lose Myself in Lingerie). He left a notebook open next to his bed so to write down ideas, he always kept his guitar close by, he dreamed about arrangements and only went into the studio when he found a version that preserved the spirit of the composition without giving up the band’s identity.<\/p>

It’s this feeling that runs through practically every recording.<\/p>

Leo Jaime<\/strong> returned to the 1970s to record \u201cCozinho de Noite\u201d<\/strong> (I Cook at Night), composed in partnership with Arnaldo. Violeta de Outono<\/strong> incorporated excerpts from the composer’s original piano in \u201cJesus, Come Back to Earth\u201d<\/strong>. Rod Krieger<\/strong> brought all of Arnaldo’s pianos, his favorite Gibsons, valves and analogue finishing to his version of \u201cThe Cowboy\u201d<\/strong>.<\/p>

It is also notable that Arnaldo’s influence goes beyond music. Some time ago, multidisciplinary artist Rog\u00e9rio Puhl<\/strong> created the artwork chosen for the project’s visual identity, which was revisited by designer Ste Marino<\/strong> in various versions. “What inspires me most about Arnaldo is precisely this almost visceral authenticity. There is a very rare freedom in the way he mixes sound, image, poetry and imagination. Within my universe, I try to absorb this restless look and take it to my work, seeking to create in a more free, intuitive and true way”, said Puhl when donating his art for the 7.8.<\/p>

A portrait of Brazilian independent music.<\/strong><\/p>

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As I listened to this material, another plainness began to emerge: Arnaldo Baptista 7.8<\/strong> ultimately became a portrait of Brazilian independent music as well.<\/p>

The word “independent” is often used almost as a synonym for existing “on the fringes” of the market. Yet, that is precisely where artistic innovation continues to spring from \u2014 from that very territory. The Arnaldo Baptista 7.8<\/strong> project brings together musicians, producers, visual artists, performers, and composers who rarely appear in major promotional campaigns, yet continue to create some of the most inventive works in Brazilian music.<\/p>

This is another of Arnaldo Baptista\u2019s quiet legacies. He never taught a formula; instead, he taught that creative freedom is always more valuable than market convenience.<\/p>

That is also why we decided to abandon the traditional release model.<\/p>

It would have been nonsense to bring together over 60 artists only to funnel all communication through a single profile or channel. The project was born as a collaborative collective, and its promotion needed to follow that same logic. Instead of a centralized campaign, we chose to build an organic network architecture. Each artist became an ambassador for the project, allowing diverse audiences to engage with one another.<\/p>

This same spirit guided the curation process from the very beginning.<\/p>

Since February 2026, we have listened to recordings, reviewed mixes, suggested creative directions, and engaged in daily conversations with the artists, forming a group that functioned less like a formal committee and more like an ongoing creative circle. The curation team consisted of Arnaldo Baptista, Lucinha Barbosa, Luiz Cesar Pimentel, Lu Lima, M\u00e1rcio Lomiranda, Marcos Lauro\/Orfeu Digital, Rod Krieger, Sonia Rosa Maia, and Thais Pimenta\/Caf\u00e9 8<\/strong>. Each brought a unique perspective to the 7.8\u2014perhaps the reason the project never lost its diversity.<\/p>

It was out of this shared experience that another symbolic moment in the project’s journey emerged.<\/p>

We were practically wrapping things up when Arnaldo and Lucinha pointed out that no one had chosen \u201cSr. Empres\u00e1rio\u201d<\/strong> (Mr Manager) \u2014one of their mutual favorites from Arnaldo\u2019s solo catalog. Written back in the Patrulha do Espa\u00e7o<\/strong> era, the song remains strikingly relevant. Decades have passed; governments, technologies, and business models have changed; and the music industry has essentially been reinvented. Yet, the irony and criticisms within the composition remain intact. And that serves as the perfect cue to say the same about the entire body of Arnaldo\u2019s solo works revisited in this 7.8.<\/p>

The simplest solution for the \u201cSr. Empres\u00e1rio\u201d track would have been to invite another artist. But we chose to do something else. We assembled a band for the re-recording and named it Renomado<\/strong> (Renowned). And believe it or not: as you experience this project, some artist or band is being born under Arnaldo\u2019s profound influence \u2014 right here on the planet and out in the infinite of outer space.<\/p>

For me, stepping into the studio to record a song by Arnaldo Baptista was a completely different experience. I no longer had the journalist\u2019s comfortable distance. I, too, was part of that story.<\/p>

That was when I realized something that perhaps explains this project better than any statistic: no one accepted the invitation simply to pay tribute to Arnaldo.<\/p>

The songs gathered here did not stem from a call to action. They grew out of an influence.<\/p>

Arnaldo Baptista 7.8 <\/strong>does not attempt to preserve a memory; it captures a living legacy.<\/p>

The 55 recordings show that Arnaldo\u2019s work continues to circulate, undergo reinterpretation, spark new ideas, and shape artists from generations other than the one that witnessed his emergence.<\/p>

Ultimately, this has always been the true measure of a creator’s magnitude. It is not the number of records sold, nor the number of awards, nor the length of his biography.<\/p>

An artist becomes truly great when his\/her work ceases to belong solely to them and becomes part of the creative imagination of others.<\/p>

Few Brazilian songwriters have achieved this as profoundly as Arnaldo Baptista.<\/p>

Arnaldo Baptista 7.8 \u2013 Can\u00e7\u00f5es Inesquec\u00edveis Revisitadas<\/strong> exists because, more than half a century later, his songs continue to find new interpreters. And that says far more about Arnaldo than about any tribute that might be paid to him.<\/p>

Luiz Cesar Pimentel<\/em><\/strong><\/p>

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From inside the spaceship \u2013 the artists and their versions<\/strong><\/p>

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To present this project to the public in its most authentic form\u2014the music itself\u2014we used streaming platforms to bring this treasure to the audience.<\/p>

The singles were released simultaneously on the participating artists’ and Arnaldo’s streaming pages on September 2, 2026. Shortly thereafter, the four compilation albums\u2014titled Cobre<\/a>, Sunny<\/a>, Pink<\/a>, and Jeans<\/a>\u2014were released > click to listen.<\/p>

The names were inspired by the colors chosen by designer Ste Marino for each album cover. The decision to use colors to name the albums was specifically intended to avoid any impression of a hierarchy, a curated selection, or a specific order. In this way, we preserved the project’s collaborative, collective spirit down to the finest detail\u2014there are no “featured” acts. We are “all together, gathered in a single person,” as Arnaldo sings in one of his classics.<\/p>

Even the choice of more famous artists to headline the compilations reflected this spirit, while also serving a strategic purpose. Since the compilation album featuring each artist also appears on their own profile page, we wanted to encourage fans of the most famous to explore the Brazilian independent music scene.<\/p>

The compilations were released to create a historical record of Arnaldo Baptista 7.8<\/strong>\u2014in the classic album format\u2014that would remain permanently on Arnaldo\u2019s digital pages.<\/p>

In addition to the compilations, four singles were released independently via the artists’ own distribution channels. Listen to them here<\/a>.<\/p>

Sonia Rosa Maia<\/em><\/strong><\/p>

Listen to the compilation albums<\/strong><\/p>
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https:\/\/tratore.ffm.to\/arnaldocobre<\/a><\/p><\/td>

https:\/\/tratore.ffm.to\/arnaldosunny<\/a><\/p><\/td>

https:\/\/tratore.ffm.to\/arnaldopink<\/a><\/p><\/td><\/tr>

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https:\/\/tratore.ffm.to\/arnaldojeans<\/a><\/p><\/td>

INDEPENDENT SINGLES <\/span><\/b><\/p>

John Ulhoa<\/span><\/i><\/b> – <\/span><\/i>To Burn or Not to Burn<\/span><\/i><\/a><\/i><\/p>

Nicolas N\u00e3o Tem Banda<\/span><\/i><\/b> – <\/span><\/i>Emergindo da Ci\u00eancia<\/span><\/i><\/a><\/i><\/p>

Zeca Baleiro<\/span><\/i><\/b> – <\/span><\/i>I Fell in Love One Day<\/span><\/i><\/a>\u00a0<\/span><\/p>

Z\u00e9 Ramalho<\/span><\/i><\/b> – <\/span><\/i>Fique Aqui Comigo<\/span><\/i><\/a><\/p><\/td>

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ARTISTS AND THEIR VERSIONS<\/strong><\/p>

in alphabetical order \u2013 listen to the songs by clicking on them<\/em><\/p>

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Amanda Cadore<\/em><\/strong> – <\/em>Desculpe<\/em><\/a><\/p>

\u00a0<\/em>Antiprisma <\/em><\/strong>– <\/em>Desculpe<\/em><\/a><\/p>

\u00a0<\/em>Anvil FX<\/em><\/strong> – <\/em>Cacilda<\/em><\/a><\/p>

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Bartenders <\/em><\/strong>– <\/em>Sentado ao Lado da Estrada<\/em><\/a><\/p>

Boogarins<\/em><\/strong> – <\/em>Bomba ‘H’ Sobre S\u00e3o Paulo<\/em><\/a><\/p>

Bruna Lucchesi & Mustache e Os Apaches<\/em><\/strong> – <\/em>Corta Jaca<\/em><\/a><\/p>

Bruno Duprat<\/em><\/strong> – <\/em>Navegar de Novo<\/em><\/a><\/p>

Bufo Borealis<\/em><\/strong> – <\/em>Cowboy<\/em><\/a> (instrumental)<\/em><\/p>

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Cachorro Grande<\/em><\/strong> – <\/em>Hoje de Manh\u00e3 Eu Acordei<\/em><\/a><\/p>

Camila Modicoviski e Alan Carlos F\u00e9rrea<\/em><\/strong> – <\/em>Oh! Trem<\/em><\/a><\/p>

Chinaina<\/em><\/strong> – <\/em>O Sol<\/em><\/a><\/p>

Clara Bicho e Gabriel Campos<\/em><\/strong> – <\/em>Sunshine<\/em><\/a><\/p>

Clemente & A Fant\u00e1stica Banda Sem Nome<\/em><\/strong> – <\/em>O Sol<\/em><\/a><\/p>

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Defalla<\/em><\/strong> – <\/em>To Burn or Not to Burn<\/em><\/a><\/p>

Doce Creolina<\/em><\/strong> – <\/em>Te Amo Podes Crer<\/em><\/a><\/p>

Drenna<\/em><\/strong> – <\/em>Sunshine<\/em><\/a><\/p>

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Edgard Scandurra e Ema Stoned<\/em><\/strong> – <\/em>Imagino<\/em><\/a><\/p>

Egisto Dal Santo<\/em><\/strong> – <\/em>Ciborg<\/em><\/a><\/p>

Exclusive os Cabides<\/em><\/strong> – <\/em>Ser\u00e1 Que Eu Vou Virar Bolor? e N\u00e3o Estou Nem A\u00ed<\/em><\/a><\/p>

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Fernando Brandt & Pamela Sim\u00f5es<\/em><\/strong> – <\/em>Cowboy e Imagino<\/em><\/a><\/p>

Furtos do Mar<\/em><\/strong> – <\/em>Bailarina<\/em><\/a><\/p>

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Gueersh<\/em><\/strong> – <\/em>Gurum-Gudum<\/em><\/a><\/p>

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Helio Flanders<\/em><\/strong> – <\/em>I Fell in Love One Day<\/em><\/a><\/p>

Hyldon, Pombo & O Louco do Est\u00fadio<\/em><\/strong> – <\/em>Fique Aqui Comigo<\/em><\/a><\/p>

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Irm\u00e3o Victor<\/em><\/strong> – <\/em>Ai Garupa<\/em><\/a><\/p>

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JANINE<\/em><\/strong> – <\/em>O Sol<\/em><\/a><\/p>

Jo\u00e3o Leopoldo<\/em><\/strong>\u00a0– <\/em>Ai Garupa<\/em><\/a><\/p>

John Ulhoa<\/em><\/strong> – <\/em>To Burn or Not to Burn<\/em><\/a><\/p>

Jovem<\/em><\/strong> – <\/em>Sexy Sua<\/em><\/a><\/p>

Juliano Gauche<\/em><\/strong> – <\/em>Hoje de Manh\u00e3 Eu Acordei<\/em><\/a><\/p>

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Kiko Zambianchi<\/em><\/strong> – <\/em>Desculpe<\/em><\/a><\/p>

Kisser Clan<\/em><\/strong> – <\/em>Sexy Sua<\/em><\/a><\/p>

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Leo Jaime<\/em><\/strong> – <\/em>Cozinho de Noite<\/em><\/a>\u00a0 <\/em>(1970s song by Leo Jaime in collaboration with Arnaldo Baptista)<\/em><\/p>

Lina Cosmic<\/em><\/strong> – <\/em>Corta Jaca<\/em><\/a><\/p>

Los Borges<\/em><\/strong> – <\/em>Cacilda<\/em><\/a><\/p>

Lulina & Hurso<\/em><\/strong> – <\/em>Tacape<\/em><\/a><\/p>

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M\u00e1rcio Lomiranda<\/em><\/strong> – <\/em>Louvado Seja Deus<\/em><\/a><\/p>

Marina Melo<\/em><\/strong> – <\/em>Navegar de Novo<\/em><\/a><\/p>

Marina Mole<\/em><\/strong> – <\/em>Deve Ser Amor<\/em><\/a><\/p>

Meio Desligado<\/em><\/strong> – <\/em>C\u00ea T\u00e1 Pensando Que Eu Sou Loki?\u00a0<\/em><\/a><\/p>

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Nicolas N\u00e3o Tem Banda<\/em><\/strong> – <\/em>Emergindo da Ci\u00eancia<\/em><\/a><\/p>

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O<\/em><\/strong>TTOPAPI <\/em><\/strong>– <\/em>N\u00e3o Estou Nem A\u00ed<\/em><\/a><\/p>

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Pedra Rel\u00f3gio<\/em><\/strong> – <\/em>Vou Me Afundar na Lingerie<\/em><\/a><\/p>

Pedro Precisa<\/em><\/strong> – <\/em>Cacilda<\/em><\/a><\/p>

P\u00e9lico<\/em><\/strong> – <\/em>Ai Garupa<\/em><\/a><\/p>

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Renomado<\/em><\/strong> – <\/em>Sr. Empres\u00e1rio<\/em><\/a><\/p>

Rod Krieger<\/em><\/strong> – <\/em>The Cowboy<\/em><\/a><\/p>

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Sandra de S\u00e1<\/em><\/strong> – <\/em>C\u00ea T\u00e1 pensando Que Eu Sou Loki?<\/em><\/a><\/p>

Selma Fernands e Daniel Conti<\/em><\/strong> – <\/em>N\u00e3o Estou Nem A\u00ed<\/em><\/a><\/p>

Selvagens \u00e0 Procura de Lei<\/em><\/strong> – <\/em>N\u00e3o Estou Nem A\u00ed<\/em><\/a><\/p>

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Taryn<\/em><\/strong> – <\/em>N\u00e3o Estou Nem A\u00ed<\/em><\/a><\/p>

Thunderbird <\/em><\/strong>– <\/em>Vou Me Afundar na Lingerie<\/em><\/a><\/p>

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Undo<\/em><\/strong> – <\/em>Sexy Sua<\/em><\/a><\/p>

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Violeta de Outono<\/em><\/strong> – <\/em>Jesus, Come Back to Earth<\/em><\/a><\/p>

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Zeca Baleiro<\/em><\/strong> – <\/em>I Fell in Love One Day<\/em><\/a><\/p>

Z\u00e9 Ramalho<\/em><\/strong> – <\/em>Fique Aqui Comigo<\/em><\/a><\/p>

***<\/strong><\/p>

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BEHIND THE SCENES: THE PEOPLE WHO MADE IT HAPPEN<\/strong><\/p>

This is a collaborative project made possible only through the dedication of dozens of professionals who donated their time and expertise to turn Arnaldo Baptista 7.8<\/strong> into reality.<\/p>

First, we thank all the artists for being here.<\/p>

And we thank all those wonderful people who, when approached, didn\u2019t hesitate for a second to say, “I\u2019m in! Let\u2019s do this!”<\/p>

ARNALDO BAPTISTA TEAM<\/strong><\/p>

Arnaldo Baptista and Lucinha Barbosa<\/strong> \u2013 Artistic and Executive arnaldodiasbaptista.com.br<\/a><\/p>

Sonia Rosa Maia<\/strong> \u2013 Has managed Arnaldo Baptista\u2019s career, projects, and legacy initiatives for over twelve years. For the 7.8<\/strong>, she oversees general direction and coordination. Linkedin<\/a><\/p>

Luciane Lima<\/strong> \u2013 Has worked as a producer and provided logistical support to Arnaldo\u2019s team for over ten years. For the 7.8<\/strong> , she handles executive production. Linkedin<\/a><\/p>

LONG-TIME PARTNERS<\/strong><\/p>

Luiz Cesar Pimentel<\/strong> \u2013 Writer, Journalist, and Communications Strategist. His ten-year journey with Arnaldo Baptista\u2019s team has evolved into a partnership built on technical trust and consultancy. For the 7.8<\/strong>, he serves as a casting consultant and editor, refining the narrative that underpins the entire communication strategy. Linkedin<\/a><\/p>

Rod Krieger<\/strong> \u2013 Artist, musician, and music producer. He has collaborated daily with Arnaldo Baptista\u2019s team across various fronts for ten years; notably, he conceived and serves as artistic director for the Arnaldo Baptista Tribute project and band, focusing on the artist’s solo career. For the 7.8<\/strong>, he acts as a casting consultant. Instagram<\/a><\/p>

Ricardo Moura<\/strong> \u2013 Co-owner of Fan Music, an artistic production company, record label, and music publisher that also provides copyright consultancy. He has collaborated with Arnaldo\u2019s team for eight years on catalog reviews and managing the repertoire of original compositions and related rights; and review of data and metadata. For the 7.8<\/strong>,\u00a0 works as a reviewer alongside Leo Morel\/Tratore streaming distributor on single uploads. https:\/\/www.fanproducoes.com.br\/<\/p>

PARTNERS FOR ARNALDO BAPTISTA 7.8<\/strong><\/p>

A Vision\u00e1ria Lab<\/strong>\u2013 Direction, production, and post-production for the 7.8<\/strong> launching program. https:\/\/avisionarialab.com.br\/<\/a><\/p>

Caf\u00e9 8 Music<\/strong> \u2013 Press relations, casting consultancy, and logistical support for the 7.8<\/strong> project. https:\/\/www.instagram.com\/cafe8music<\/a><\/p>

Ste Marino<\/strong> \u2013 Designer for the 7.8<\/strong>. Responsible for visual identity, logo, cover art, and flyers. https:\/\/stemarino.myportfolio.com\/<\/a><\/p>

Rogerio Puhl<\/strong> \u2013 Multi-disciplinary artist and illustrator; creator of the artwork for the project’s visual identity. https:\/\/studiopuhl.com\/<\/a><\/p>

Marcos Lauro\/Orfeu Digital <\/strong>\u2013 Casting consultancy and logistical support for digital marketing on the 7.8<\/strong>. https:\/\/orfeudigital.com.br\/dir\/<\/a><\/p>

Tratore<\/strong> \u2013 Singles distribution and liaison with streaming platform editors to secure features for the 7.8. <\/strong>https:\/\/tratore.com.br\/<\/a><\/p>

Warner Chappell<\/strong> \u2013 Handling copyright clearances and offering their Rio de Janeiro studio to artists wishing to record there. https:\/\/warnerchappell.com\/<\/a><\/p>

M\u00e1rcio Lomiranda<\/strong> \u2013 Musician, composer, and producer, at his own studio Eletro Fluminas. He made a unique contribution to the 7.8<\/strong>, not only by bringing various artists to the project, but also by producing, mixing, and mastering their versions.<\/p>

Jotab\u00ea Medeiros<\/strong> \u2013 Writer and journalist. Jotab\u00ea was invited to talk about Arnaldo Baptista\u2019s work during the 7.8<\/strong> program. @jotabemedeiros<\/a><\/p>

FLOREZTA<\/strong> \u2013 Venue for the recording of the Arnaldo Baptista 7.8 <\/strong>program. FLOREZTA was designed to offer an integrated experience: professional recording, an inspiring atmosphere, and quality dining all in one location. @floreztaestudio<\/a><\/p>

Babu Ba\u00eda<\/strong> \u2013 Broadcaster; he has a career spanning over 25 years in radio and is an avowed rock fan. He currently works at Kiss FM in S\u00e3o Paulo and is known for hosting the programs “As 10 da Kiss” (first edition) and “Batalha do Rock.” He lent his industry expertise to promote the 7.8 within the radio world.<\/p>

Animo V\u00eddeos\/F\u00e1bio Gruppi<\/strong> – an audiovisual production company based in Belo Horizonte (MG), responsible for filming the interview with Arnaldo Baptista in Belo Horizonte for the 7.8 project\u2019s launch program. https:\/\/www.animovideos.com\/<\/a><\/p>

\u00a0<\/strong><\/p>

PARTNER STUDIOS<\/strong><\/p>

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Est\u00fadio Parede Meia<\/strong><\/a> \u2022 <\/strong>Est\u00fadio Banzai!<\/strong><\/a> \u2022<\/strong> Refinaria Est\u00fadios<\/strong><\/a>\u00a0 \u2022 <\/strong>1.2.3.4. Est\u00fadio<\/strong><\/a><\/p>

***<\/p>

arnaldodiasbaptista.com.br<\/strong><\/a> \u2022 <\/strong>Instagram<\/strong><\/a>\u00a0 <\/strong>\u2022 <\/strong><\/p>

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Arnaldo Dias Baptista Visual Arts<\/strong><\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

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